ixi software: The Interface as Instrument Thor Magnusson Creative Systems Lab Department of Informatics University of Sussex Brighton, United Kingdom

Source URL: www.ixi-software.net

THE ACOUSTIC, THE DIGITAL AND THE BODY: A SURVEY ON MUSICAL INSTRUMENTS Thor Magnusson Enrike Hurtado Mendieta

Source URL: www.ixi-software.net

• Ixi software
• Reaktor
• Musical instrument
• Pro Tools
• Computer music
• GarageBand
• Electronic music
• Digital piano
• Home recording
• Software
• Music
• Application software

THE MUSICAL SCORE: THE SYSTEM AND THE INTERPRETER This paper introduces live coding as a new path in the evolution of the musical score. Whilst being the perfect vehicle for the performance of algorithmic music, it also

Source URL: www.ixi-software.net

• Electronic music
• Audio programming languages
• Digital art
• Experimental music
• Live coding
• Live music
• Computer music
• Impromptu
• SuperCollider
• Music
• Computing
• Software engineering

Thor Magnusson School of Arts and Media University of Brighton Grand Parade Brighton BN2 0JY UK [removed]

Source URL: www.ixi-software.net

• Visual arts
• Affordance
• Human–computer interaction
• SuperCollider
• Computer music
• New Interfaces for Musical Expression
• Expressive potential
• Live coding
• Electronic music
• Music
• Software

When instruments become architecture : On liquefying frozen music Thor Magnusson What happens when you aestheticise the musical instrument? Conceive of it as a sculpture? Aesthetics in the design of musical instruments

Source URL: www.ixi-software.net

• Musical instrument
• Electronic music
• Stage lighting
• Organology
• Cello
• Music
• Sound
• Waves

Organised Sound http://journals.cambridge.org/OSO Additional services for Organised Sound:

Source URL: www.ixi-software.net

• Notation
• Electronic music
• Computer music
• Graphic notation
• Sheet music
• Dance notation
• Live coding
• Code
• SuperCollider
• Music
• Musical notation
• Entertainment

Thor Magnusson From a Music Industry to Sound Industries Introduction Commodification has been an inherent aspect of music for many centuries. The aggregation of the diverse commodification practices could be described a

Source URL: www.ixi-software.net

• Web 2.0
• Digital audio
• Radio formats
• Freeware
• Spotify
• Music
• World music
• Last.fm
• Remix
• Software
• Media technology
• Android software

The Threnoscope A Musical Work for Live Coding Performance Thor Magnusson Faculty of Arts University of Brighton Brighton, United Kingdom

Source URL: www.ixi-software.net

• Software
• Computing
• Digital art
• Experimental music
• Live coding
• Live music
• SuperCollider
• Computer music
• Impromptu
• Music
• Electronic music
• Audio programming languages

CONFESSIONS OF A LIVE CODER Thor Magnusson ixi audio & Faculty of Arts and Media University of Brighton Grand Parade, BN2 0JY, UK

Source URL: www.ixi-software.net

• Computer programming
• Software synthesizers
• Programming paradigms
• Electronic music
• Visual programming languages
• Impromptu
• SuperCollider
• Live coding
• Interactive programming
• Computing
• Software engineering
• Audio programming languages

Improvising with the Threnoscope: Integrating Code, Hardware, GUI, Network, and Graphic Scores Thor Magnusson Department of Music University of Sussex Brighton, BN1 9RH, UK

Source URL: www.ixi-software.net

• Software synthesizers
• Electronic music
• User interface techniques
• Synthesizers
• SuperCollider
• Computer music
• Din
• Drone music
• Music sequencer
• Music
• Sound
• Audio programming languages